BRIGHTER THAN THE SUN
(PHOTOGRAPHIC EVIDENCE OF HUMAN TRANSFIGURATION)
By Nigel Kerner
In 1988, three reputable laboratories in Oxford, Zurich and
Tucson carried out radiocarbon tests on the Shroud of Turin and
declared it a brilliant, medieval fake produced between 1260 and
1390. Since then startling new evidence has led Professor
Christopher Ramsey of the University of Oxford and Head of the
Oxford Radiocarbon Accelerator Unit which participated in the
original 1988 carbon-14 dating of the Shroud to say, in May 2008:
“There is a lot of other evidence that suggests to many
that the shroud is older than the radiocarbon dates allow, and
so further research is certainly needed. Only by doing this will
people be able to arrive at a coherent history of the shroud
which takes into account and explains all of the available
scientific and historical information.”1
The evidence to which Professor Ramsey refers includes:
- Contamination by a fire in 1532 that could have skewed the
results by thousands of years.
- A difference detected in the dates of the different samples
given to the three laboratories (in some cases as much as
several hundred years).
- The fact that some parts of the sample appear to come from a
fabric that was used to repair the cloth at a later date.
If the Shroud of Turin was indeed created by the same
phenomenon that allowed Jesus to ‘glow brighter than the sun’ in
front of James, Peter and John, known as the ‘Transfiguration’
then the remarkable features that this cloth has been found to
possess could have a clear explanation.
Could a momentary burst of radiant energy, a transfiguration
account for these properties? In 2008 an Italian group of
scientists researching this possibility presented their
conclusions at the Ohio Shroud Conference:
“In summary, our results do not rule out the possibility
that a short and intense burst of directional UV radiation,
having a very narrow set of duration/intensity/wavelength
values, may have played a role in the formation of the body
image on the Turin Shroud. However more investigations and
characterization work are still necessary to gain a deeper
insight into the UV radiation effects on linen aging and image
formation Finally, let us point out that the total UV radiation
power required to color a linen surface corresponding to a human
body, of the order of 16 × 106 W/cm2 × 17.000 cm2 = 2.7 × 1011
W, is impressive, and cannot be delivered by any UV laser built
to date. The enigma of the origin of the body image of the Turin
Shroud still “is a challenge to our intelligence”2
Could this burst of laser-like radiation have been produced by
the conversion of the very atoms of Christ’s body into light? If
this was indeed the case it is no surprise that there is no laser
powerful enough to deliver such a blast of radiation!
Einstein’s famous equation describing the fact that mass is
really an expression of energy E=MC² describes the fact that mass
or matter is ‘condensed’ energy. Energy is an expression of force
and force is a product of the state of separation of points.
Levels of separation and therefore force are increasing in time
due to the entropic momentums of a physical Universe. Based on
this fact I am going to put before you a remarkable proposition:
Is it possible that through thought and behavior that binds
and unites, in other words through that much misused word ‘love,’
Jesus Christ lessened the force of his own atoms such that their
condensed energy was liberated in a blaze of transfiguration?
I propose that E=MC² suggests that matter is in fact no more
than energy in a frozen state and energy is no more than thought
in a frozen state. If the God state is infinite in extent then it
is a state of timelessness without beginning or end. All finite
states must therefore have their beginning in this infinite state.
If the fabric of that infinite state is thought then all finite
states are therefore fashioned from thought. With this in mind
let’s take another look at how the image on the Shroud might have
been formed.
The holographic properties of the Shroud are very important. A
hologram is a pattern of interacting microscopic rings, or
interference fringes, not unlike the pattern created when a
handful of pebbles are tossed into a pond. Every area of the
hologram sees and stores information about the whole image. If you
break a hologram into multiple pieces, you have multiple
holograms, each of which bears information about the whole image.
Dr. Petrus Soons has confirmed that it is indeed possible to
glean holographic
information from photographs of the shroud at the Eindhoven
holographic lab in Holland. This he found quite remarkable, as
photographs do not usually contain holographic information. In
addition, Dr. Soons made the surprising discovery that this
three-dimensional holographic information could only be found
in the actual image of the body. The images of plants and
flowers and the bloodstains also imprinted on the shroud did not
contain this information. Thus the process by which the image of
the body itself was formed allowed somehow for the record of
information in holographic form. Holograms are produced two beams
of coherent laser light at right angles to eachother. I propose
that the laser light that created this particular hologram was of
the utmost coherence possible and that the two beams at right
angles define the two dimensional extent of that which I refer to
as the Godverse. In two dimensions limitless extent is possible,
it is only once three dimensions occur that limit and fixture can
begin.
To return to Dr. Soons research, he is also trying to establish
if each fiber of the shroud might contain holographic information
of the whole image. In his preliminary research he has seen rings
on the shroud to suggest that it could indeed be holographic at
microscopic level.
According to Dr. Soons another unusual feature of the Shroud
image is that no external light source was involved in producing
the image: When we look at the Shroud we see what looks like a
picture. What to our eyes seems like the highlights, lowlights,
and cast shadows of reflected light on a human form is not light
at all. It is certainly not light as a camera would detect it, or
an artist would see it and translate
it to canvas. Technical image analysis reveals no
directionality to the implied light of the highlights and shadows.
The brightness does not come from any angle. It is not from above
or below, nor from the right or the left, nor from the front. The
light emerges from within all of the body evenly everywhere at the
same time. Thus he concludes that the most probable cause of the
image would have been a flash of very short duration, which in
some way allowed for distance information to be encoded in the
image.3
Giles Carter, an eminent scientist, believes that the image,
which is confined to the top-most fibers of the cloth, was caused
by an “auto-radiation” effect emanating from inside the cloth.4
Several physicists, including Dr. John Jackson of the Colorado
Shroud Center, point to a form of possible columnated radiation as
the best explanation for how the image was formed, representing a
scorch like appearance (the scorch caused by light versus heat, as
the image does not fluoresce). Dr. Thomas Phillips (nuclear
physicist at Duke University and formerly with the High Energy
Laboratories at Harvard) points to a potential miliburst of
radiation (a neutron flux) that could be consistent with the
moment of resurrection. Such a miliburst could have caused the
purely surface phenomenon of the scorch-like (scorch by light)
images and a possible key to the addition of carbon-14 to the
cloth. As Dr. Phillips points out: “We never had a Resurrection to
study,” and more testing can be done to ascertain whether a
neutron flux occurred.5
Distinguished particle physicist, Dame Isabel Piczek, has
identified the remarkable fact that there seems to be no
distortion in the image on the cloth, a distortion that should
have resulted from the pressure of the body on the stone floor of
the tomb and the inevitable irregularities that would have
occurred due to the folds and wrinkles of the wrapping:
“There is a strange dividing element, an interface from
which the image is projected up and the image is projected down.
The muscles of the body are absolutely not crushed against the
stone of the tomb. They are perfect. It means that the body is
hovering between the two sides of the shroud. What does that
mean? It means that there is absolutely no gravity. The image is
absolutely undistorted. Now if you imagine that the cloth was
wrinkled, tied, wrapped around the body and all of a sudden you
see a perfect image, which is impossible unless the shroud was
made absolutely taut, rigidly taut. A heretofore unknown
interface acted as an event horizon. The straight, taut linen of
the shroud simply was forced to parallel the shape of this
powerful interface. The projection, an action at a distance,
happens from the surface and limit of this, taking with itself
the bas-relief image of the upper and, separately, the underside
of the body.”
This, “heretofore unknown interface” she says, would have been
the result of a “collapsed event horizon,” in the center of which,
“there is something which science knows as a singularity. This is
exactly what started the universe in the Big Bang.” Thus, she goes
on to say: “We have nothing less in the tomb of Christ than the
beginning of a new universe.”6
A second ghostly image of a man’s face has been discovered on
the back of the linen, according to a report published by London’s
Institute of Physics. The back of the shroud has rarely been seen,
as it was hidden beneath a piece of cloth sewn on by nuns in 1534,
after it had been damaged by fire. But the back surface was
exposed during a restoration project in 2002. A professor at
Italy’s Padua University, Giulio Fanti, thought he saw a “faint
image” in the photographs from this project and decided to
investigate it further. Professor Fanti has dismissed claims that
the image on the back confirms that the shroud is a fake, with
paint soaking from the front to the back: “This is not the case of
the Shroud. On both sides, the face image is superficial,
involving only the outermost linen fibers,” he said. “It is
extremely difficult to make a fake with these features.”7
Could the fact that the image is formed on the surface fibers
of both sides of the cloth without penetrating through the
intervening layers suggest that Christ was able to be in two
places at once from that interface? In other words the separation
of points and therefore force and energy were no longer relevant
for him. He had converted the atoms of his body to a form of
‘educated light,’ a light that had no component of force or energy
to it. A light that held all the information about what and who he
was with such purity and power it could create the living
semblance of himself. In other words the form of himself that
could account for the phenomenon we call the Resurrection. Could
this form of educated light be what we call a soul? A mechanism we
cannot yet quantify and qualify through science but nevertheless
exists and accounts for the continuation of a personal living
individuality past death.
REFERENCES
-
http://c14.arch.ox.ac.uk/embed.php?File=shroud.html
-
A Physical Hypothesis on the Origin of the Body
Image Embedded into the Turin Shroud Paolo Di Lazzaro*, et al
2008
http://ohioshroudconference.com/papers/p01.pdf )
-
The Fabric of Time, Grizzly Adams Productions DVD
(April 24, 2007).
-
Giles F. Carter, “Formation of Images on the Shroud
by X-rays: A New Hypothesis”, ACS Advances in Chemistry No. 205:
Archaeological Chemistry, (1984) 425-446.
-
The Fabric of Time, Grizzly Adams Productions DVD
(April 24, 2007).
-
Ibid
-
Giulio Fanti, Francesco Lattarulo, Oswald
Scheuermann, Body Image Formation Hypotheses Based on Corona
Discharge
http://www.dim.unipd.it/fanti/corona.pdf
Copyright by Nigel Kerner
Presented with permission of the author
Official Website:
http://www.nigelkerner.com
Don't miss
other articles by Nigel Kerner:
About the Author
Nigel Kerner is an author, screen writer and journalist. He was
born in Ceylon (now Sri Lanka) where his father served as an
officer in the Royal Naval Fleet Air Arm during the last war. His
paternal family line can be traced back to the German philosopher
and poet Justinus Kerner. His mother is of expatriate British
planting stock. His formal graduate education is in biomedical
science and human behavioural psychology.
Nigel Kerner's international family base provided a
background for an obsessive and serious interest in international
human affairs and in science and its interface with religion and
philosophy in the contemporary world. He has felt driven, from his
young years, to expose the humbug and hypocrisy in modern
scientific and religious and social thinking. A fascination with
the puzzling and enigmatic phenomenon of UFOs resulted in his
first book THE SONG OF THE GREYS published by Hodder
& Stoughton in 1997. A serious work on the subject now noted world
wide for its radical view on the phenomenon. Much to the author's
chagrin, many who have read the book consider him to be one of the
world's foremost ufologists.
Nigel Kerner lives with his wife and family on his
estate in middle England. He has a passionate interest in projects
on behalf of the poor of developing nations. He is at present
working with his family and a team of European friends and
volunteers on a medical and agro-development project done on
behalf of the rural poor in a country in the Far East.
His hobbies include reading science literature and
journals, wild-life videography, wildlife conservation activities,
singing and song writing. His singular sporting passion is cricket
and he has for many years been following the England cricket team
all over the world in the hope of being there when they win a
match. At the time of writing he is a happier man in this respect.
Official Website:
http://www.nigelkerner.com
Contact:
gaathos@hotmail.com
Books:
Books by Nigel Kerner
The Song Of The Greys
- Hodder & Stoughton 1998,
available from
http://www.nigelkerner.com/Books/Order.html
Grey Aliens and the Harvesting of Souls - Inner traditions/ Bear
& Company 2010
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Order this book here >>
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The Song Of The Greys
by Nigel Kerner.
Order this book here >>
Of all the humanoid alien types that feature in
reports of sightings and abductions, the most common is "the Grey"
- smooth and sallow-skinned, small in stature, spindly and thin.
Who are they? Where do they come from? What do they want from us?
They have programmed in to their intercepted lines of mankind
all the mechanisms necessary to keep their experiments intact and
functioning. Racism and tribalism are a case in point. What better
way to keep experimental groups separate in order to avoid one
experiment leaking into another and affecting the final result,
than to programme separatism and tribal identity into the
experimental subjects.
Source: An Interview with Kerner
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Grey Aliens and the Harvesting of Souls:
The Conspiracy to
Genetically Tamper with Humanity
by Nigel Kerner
“Nigel Kerner’s shocking new book
totally redefines the nature of the alien presence on our
planet. In a detailed study that is certain to send shockwaves
throughout the world of UFO research, Kerner offers a
terrifying theory to explain the presence of the so-called
extraterrestrial Greys on our world. Far from being the
benevolent visitors that many abductees believe them to be, in
reality aliens are cold and clinical creatures whose stark and
terrible task is to reap and manipulate our very life
force--the human soul--for purposes both nefarious and
ominous. A book that should, and must, be read.” (Nick
Redfern, author of Final Events: Alien Abductions, the
Government, and the Afterlife )
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Product Description
Exposes the agenda behind the bio-robotic grey aliens’
genetic manipulation of certain human races
-
Reveals the Grey’s nature as sophisticated self-aware machines
created by a long vanished extraterrestrial civilization
-
Explains how their quest to capture human souls appears in the
historical record from biblical times
-
Explains how the phenomenon of racism is a by-product of their
genetic tampering
In 1997 Nigel Kerner first introduced the notion of
aliens known as Greys coming to Earth, explaining that Greys are sophisticated
biological robots created by an extraterrestrial civilization they have long
since outlived. In this new book Kerner reveals that the Greys are seeking to
master death by obtaining something humans possess that they do not: souls.
Through the manipulation of human DNA, these aliens hope to create their own
souls and, thereby, escape the entropic grip of the material universe in favor
of the timeless realm of spirit.
Kerner explains that genetic manipulation by the Greys
has occurred since biblical times and has led to numerous negative qualities
that plague humanity, such as violence, greed, and maliciousness. Racism, he
contends, was developed by the aliens to prevent their genetic experiments from
being compromised by breeding with others outside their influence. Examining
historical records, Kerner shows that Jesus, who represented an uncorrupted
genetic line, warned his disciples about the threat posed by these alien
interlopers, while Hitler, a pure product of this alien intelligence, waged
genocide in an attempt to rid Earth of all those untouched by this genetic
tampering. Despite the powerful grip the Greys have on humanity, Kerner says
that all hope is not lost. Greys exist wholly in the material world, so if we
follow the spiritual laws of reincarnation and karma, aiming for enlightenment
and rising above the material--a state the Greys are unable to reach--we can
free ourselves from their grasp.
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Human Devolution:
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Children
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